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Study of a Horse's Head by Luca Carlevarijs

Study of a Horse's Head

Luca Carlevarijs·ca. 1700-ca. 1710

Historical Context

Carlevarijs's study of a horse's head provided reference material for the mounted figures and horse-drawn vehicles that appeared in his Venetian view paintings. Horses in Venice were an unusual sight — the city's canals made wheeled transport impossible except in certain campi — but state ceremonies, including the Doge's processions, featured horses, and visitors arriving by land required stabling on the terraferma. The horse study demonstrates Carlevarijs's awareness that complete documentation of Venetian life required attention to its exceptional and ceremonial elements as well as its everyday character. His vedute paintings often depicted state ceremonies where horses might appear, making this study practically useful.

Technical Analysis

The horse's head is modeled with careful attention to the musculature and bone structure beneath the skin. Warm tones capture the animal's coloring, with highlights on the muzzle and eyes adding life to the study.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: In Store

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Quick Facts

Medium
Oil on canvas
Era
Rococo
Style
Venetian Rococo
Genre
Animal
Location
Victoria and Albert Museum, London
Gallery
In Store
View on museum website →

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A lady seen from behind by Luca Carlevarijs

A lady seen from behind

Luca Carlevarijs·ca. 1700-ca. 1710

A Lady Seen in Profile by Luca Carlevarijs

A Lady Seen in Profile

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola by Luca Carlevarijs

A Gondola

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola: End View by Luca Carlevarijs

A Gondola: End View

Luca Carlevarijs·ca. 1700-ca. 1710

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures

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