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A Gondola: End View by Luca Carlevarijs

A Gondola: End View

Luca Carlevarijs·ca. 1700-ca. 1710

Historical Context

Carlevarijs's end-view study of a Venetian gondola complements his side-view studies by providing an understanding of the vessel's three-dimensional form from multiple angles. The gondola's distinctive shape — asymmetrically built to compensate for the single-oar propulsion — was unique among European watercraft, and its accurate representation was a technical requirement for artists wishing to depict Venetian scenes convincingly. Carlevarijs's methodical study of the gondola from multiple angles reflects the scientific spirit of early eighteenth-century visual documentation and his understanding that his vedute paintings would be scrutinized by viewers who knew Venice intimately and could judge the accuracy of his representations.

Technical Analysis

The unusual foreshortened viewpoint is captured with accurate perspective drawing. The dark silhouette of the hull against a lighter ground emphasizes the distinctive curved profile that makes the gondola immediately recognizable.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, level H

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Rococo
Style
Venetian Rococo
Genre
Landscape
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, level H
View on museum website →

More by Luca Carlevarijs

A lady seen from behind by Luca Carlevarijs

A lady seen from behind

Luca Carlevarijs·ca. 1700-ca. 1710

A Lady Seen in Profile by Luca Carlevarijs

A Lady Seen in Profile

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola by Luca Carlevarijs

A Gondola

Luca Carlevarijs·ca. 1700-ca. 1710

Study of a Fish by Luca Carlevarijs

Study of a Fish

Luca Carlevarijs·ca. 1700-ca. 1710

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700