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Lydia Coit Terry (Mrs. Eliphalet Terry) by Samuel F. B. Morse

Lydia Coit Terry (Mrs. Eliphalet Terry)

Samuel F. B. Morse·c. 1824

Historical Context

Morse's companion portrait of Lydia Coit Terry, painted around 1824, depicts the wife of Eliphalet Terry. These matched portraits were produced during Morse's years of itinerant portrait painting before he settled in New York. The Terry portraits demonstrate Morse's ability to produce competent, engaging likenesses that satisfied his clients, even as he longed for the opportunity to pursue the grander ambitions of history painting.

Technical Analysis

Morse's oil-on-canvas technique renders Mrs. Terry with warm flesh tones and the refined handling that reflects his London training. The portrait balances academic competence with the forthright directness that American clients expected.

Provenance

The sitter's daughter, Mrs. Charles Collins [née Mart Hall Terry]; her daughter, Mrs. William Allen Butler [née Louise Terry Collins]; her son, Dr. Charles Terry Butler, Chappaqua, New York; gift 1981 to NGA.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 75.8 × 63 cm
Era
Romanticism
Style
Italian Romanticism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Samuel F. B. Morse

Eliphalet Terry by Samuel F. B. Morse

Eliphalet Terry

Samuel F. B. Morse·c. 1824

The House of Representatives by Samuel F. B. Morse

The House of Representatives

Samuel F. B. Morse·1822, probably reworked 1823

Joseph Gales by Samuel F. B. Morse

Joseph Gales

Samuel F. B. Morse·1821/1822

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