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Eliphalet Terry by Samuel F. B. Morse

Eliphalet Terry

Samuel F. B. Morse·c. 1824

Historical Context

Samuel F. B. Morse's portrait of Eliphalet Terry, painted around 1824, dates from the period when the future inventor of the telegraph was still primarily known as a portrait painter. Morse, trained under Washington Allston and Benjamin West in London, was one of the most ambitious American painters of his generation. He aspired to greatness in history painting but supported himself through portraiture, which he considered a lesser calling — a frustration that eventually led him to abandon art for invention.

Technical Analysis

Morse's oil-on-canvas technique demonstrates his London academic training in the warm, luminous palette and confident handling. The portrait shows greater sophistication than typical American provincial painting, with subtle modeling and atmospheric background treatment.

Provenance

The sitter's daughter, Mrs. Charles Collins [née Mart Hall Terry]; her daughter, Mrs. William Allen Butler [née Louise Terry Collins]; her son, Dr. Charles Terry Butler, Chappaqua, New York; gift 1981 to NGA.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 75.7 × 63.2 cm
Era
Romanticism
Style
Italian Romanticism
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Samuel F. B. Morse

Lydia Coit Terry (Mrs. Eliphalet Terry) by Samuel F. B. Morse

Lydia Coit Terry (Mrs. Eliphalet Terry)

Samuel F. B. Morse·c. 1824

The House of Representatives by Samuel F. B. Morse

The House of Representatives

Samuel F. B. Morse·1822, probably reworked 1823

Joseph Gales by Samuel F. B. Morse

Joseph Gales

Samuel F. B. Morse·1821/1822

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