ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Giovanni Borgherini and His Tutor by Circle of Giorgione

Giovanni Borgherini and His Tutor

Circle of Giorgione·1477

Historical Context

This portrait of Giovanni Borgherini and His Tutor, attributed to Giorgione and dated to 1477, has been the subject of considerable scholarly debate. The attribution to Giorgione is contested, and the early date would place it in the artist's youth. Giovanni Borgherini was a member of a prominent Florentine banking family with strong Venetian connections. The double portrait format showing master and pupil reflects Renaissance humanist values of education.

Technical Analysis

The oil on canvas shows the soft, atmospheric quality associated with Venetian painting. The warm tonality and subtle modeling of the faces reflect the influence of Giovanni Bellini, while the intimate composition suggests the emerging taste for informal portraiture.

Provenance

Probably sons of the sitter, Giovanni Borgherini [b. 1496], Florence, and then by inheritance in the Borgherini family, until at least 1568;[1] probably by inheritance to the sitter's great-great-grandson, Cavaliere Pier-Francesco Borgherini [1637-1718]; his descendants or private collection, Milan;[2] sold 1923 to Sir Herbert Frederick Cook, 3rd Bt. [1868-1939], Doughty House, Richmond, Surrey, until at least 1932;[3] (Thos. Agnew and Sons, London); purchased 1960 by Michael Straight, Alexandria, Virginia;[4] gift 1974 to NGA. [1] G. Vasari, _Le Vite_, 1568 (Milanesi ed., vol. IV, 1879: 94): "In Fiorenza è di man sua in cas de' figliuoli di Giovan Borgherini il ritratto d'esso Giovanni, guando era giovane in Venezia, e nel medesimo quadro il maestro che le guidava; che non si può veder in due teste nè più bella tinta di ombre." ("In Florence there is by him [Giorgione] in the house of the sons of Giovanni Borgherini the portrait of the later, when he was young, in Venice, and in the same picture the master who taught him; one cannot see in two heads better flesh coloring or more beautiful nuances of shading." Translation in Fern Rusk Shapley, _Catalogue of the Italian Paintings_, 2 vols., Washington, 1979: 1:217.) [2] According to M.W. Brockwell, _Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook_, London, 1932: 69-70, the painting "was purchased in 1923 from a gentleman in Milan whose great-grandfather received it from a great-nephew of Cavaliere Pier-francisco Borgherini who, as we have seen, died in 1718." The dealer's memorandum on the painting, supplied to NGA's donor in 1960, says "This picture was purchased by Sir Herbert Cook in 1923 from a private collection in Milan where it had been since 1718 when it had been purchased from Cavaliere Pier Francesco Borgherini, the great great grandson of Giovanni Borgherini, the sitter in the picture." Shapley 1979: 1:218 describes the transaction as "acquired in London in 1925 after being purchased in Milan in 1923 from a descendant of [Cavaliere Borgherini]." [3] M.W. Brockwell, _Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook_, London, 1932: 69-70. [4] The painting was introduced to Mr. Straight in February 1960 by then-director of the NGA, John Walker. See the correspondence between Walker and Straight in NGA curatorial files.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 47 × 60.7 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Portrait
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Circle of Giorgione

Venus and Cupid in a Landscape by Circle of Giorgione

Venus and Cupid in a Landscape

Circle of Giorgione·c. 1505/1515

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450