
Orchard Oriole
Historical Context
Kidd's Orchard Oriole after Audubon, painted between 1830 and 1832, translates another of the American ornithologist's celebrated watercolors into the oil medium. The Orchard Oriole, common in eastern North America, was one of the more colorful species in Audubon's comprehensive survey. These oil copies, while derivative, demonstrate the extraordinary popular interest in natural history that Audubon's work generated on both sides of the Atlantic.
Technical Analysis
Kidd's pencil and oil on canvas technique renders the oriole with careful attention to the warm orange and black coloring. The botanical setting follows Audubon's practice of depicting birds with their characteristic habitat plants.
Provenance
Painted for John James Audubon [1785-1851]; by descent in the Audubon family to his great-grandson, Leonard Benjamin Audubon [1888-1951], Sydney, Australia;[1] sold 1950 to E.J.L. Hallstrom [1886-1970], Sydney, Australia; gift 1951 to NGA. [1] John James Audubon had four children, one of whom was John Woodhouse Audubon [1812-1862]. The younger Audubon married twice; he had two children with his first wife, Maria Bachman [1816-1840], and seven with his second wife, Caroline Hall [1811-1899]. Of the seven, five lived to adulthood, and one of them, William Bakewell Audubon [1847-1885], left the United States for Australia in either 1880 or 1882. He began a new life raising sheep near Yass, a small town about 250 miles west of Sydney. He married Lucy Ann Grovenor in 1885, and they had two children, Leonard Benjamin and Ella Caroline. According to a letter of 9 July 1952 from Ella Caroline Audubon to John Walker (in NGA curatorial files), Audubon paintings were sent to Australia in 1899 or 1900, which would correspond with the death of Caroline Hall Audubon on 1 February 1899. Miss Audubon's letter states that her father arrived in Australia 8 April 1880. However, Walter Audubon gives 21 January 1882 as the date that William Bakewell Audubon sailed for Australia, and he writes also that it was William who "brought with him many paintings by his grandfather, John James Audubon" (see Walter Audubon, _Last of the Audubon Line: The Descendants of John Woodhouse Audubon_, Franklin, North Carolina, 2002: 72-79).





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