
Black-Backed Three-Toed Woodpecker
Historical Context
Kidd's oil copy of Audubon's Black-Backed Three-Toed Woodpecker continues the series of translations from watercolor to oil. Audubon's Birds of America, published between 1827 and 1838, was one of the greatest achievements in natural history illustration. Kidd's oil versions, though secondary to Audubon's originals, demonstrate the artistic and commercial ambitions that surrounded this monumental publishing project.
Technical Analysis
Kidd's pencil and oil on canvas technique captures the woodpecker with careful ornithological detail derived from Audubon's original. The bird's distinctive coloring is rendered with precise attention to the patterns of black and white plumage.
Provenance
Painted for John James Audubon [1785-1851]; by descent in the Audubon family to his great-grandson, Leonard Benjamin Audubon [1888-1951], Sydney, Australia;[1] sold 1950 to E.J.L. Hallstrom [1886-1970], Sydney, Australia; gift 1951 to NGA. [1] John James Audubon had four children, one of whom was John Woodhouse Audubon [1812-1862]. The younger Audubon married twice; he had two children with his first wife, Maria Bachman [1816-1840], and seven with his second wife, Caroline Hall [1811-1899]. Of the seven, five lived to adulthood, and one of them, William Bakewell Audubon [1847-1885], left the United States for Australia in either 1880 or 1882. He began a new life raising sheep near Yass, a small town about 250 miles west of Sydney. He married Lucy Ann Grovenor in 1885, and they had two children, Leonard Benjamin and Ella Caroline. According to a letter of 9 July 1952 from Ella Caroline Audubon to John Walker (in NGA curatorial files), Audubon paintings were sent to Australia in 1899 or 1900, which would correspond with the death of Caroline Hall Audubon on 1 February 1899. Miss Audubon's letter states that her father arrived in Australia 8 April 1880. However, Walter Audubon gives 21 January 1882 as the date that William Bakewell Audubon sailed for Australia, and he writes also that it was William who "brought with him many paintings by his grandfather, John James Audubon" (see Walter Audubon, _Last of the Audubon Line: The Descendants of John Woodhouse Audubon_, Franklin, North Carolina, 2002: 72-79).





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