
The Burial of Saint Martha
Sano di Pietro (Ansano di Pietro di Mencio)·ca. 1460–70
Historical Context
Sano di Pietro's Burial of Saint Martha from around 1460-70 depicts the death and interment of Lazarus's sister Martha, one of Christ's intimate circle whose gospel appearances give her a special place in medieval devotion. The panel likely came from a predella series beneath an altarpiece dedicated to Martha or to multiple saints, the smaller narrative scenes serving to illustrate the sacred stories that the monumental figures above represented in hieratic stillness. Sano di Pietro was among the most productive painters of fifteenth-century Siena, his workshop supplying the city's churches and confraternities with devotional images in a consistent late Gothic idiom that consciously maintained the great Sienese tradition of Duccio and Simone Martini well into the era of Florentine Renaissance innovation.
Technical Analysis
The small predella format is handled with Sano di Pietro's miniaturist precision, with rich tempera colors and gold accents. The architectural setting and funeral procession are rendered with clear, descriptive drawing that communicates the narrative effectively. The decorative quality of the color and gold ground maintains the devotional function.
See It In Person
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Madonna and Child with the Dead Christ, Saints Agnes and Catherine of Alexandria, and Two Angels
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