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Young Woman Peeling Apples by Nicolaes Maes

Young Woman Peeling Apples

Nicolaes Maes·ca. 1655

Historical Context

Maes's Young Woman Peeling Apples from around 1655 is one of his most characteristic domestic genre scenes, depicting a young woman absorbed in the simple domestic task of peeling apples in a kitchen interior. The kitchen scene combined the Dutch fascination with the domestic interior as a subject for serious painting with the tradition of moral interpretation through quotidian observation — a woman peeling apples was both a portrait of virtuous domesticity and a visual meditation on patience, care, and the transformation of raw nature into prepared food. Maes's warm Rembrandtesque light gives the woman's figure a quiet dignity that elevates her mundane activity into a subject worthy of sustained artistic attention.

Technical Analysis

Maes's technique derives from Rembrandt's use of warm, focused light to create intimate atmosphere. The figure is illuminated by a single light source that creates strong chiaroscuro, with the face and hands warmly modeled against the darker background. The apple and domestic objects are rendered with careful, naturalistic detail.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 616

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
54.6 × 45.7 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
Gallery
616
View on museum website →

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The Lacemaker by Nicolaes Maes

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Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes by Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes

Nicolaes Maes·1676

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