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Saints Augustine and Francis, a Bishop Saint, and Saint Benedict by Filippo Lippi

Saints Augustine and Francis, a Bishop Saint, and Saint Benedict

Filippo Lippi·1426

Historical Context

This altarpiece from 1426 depicting Saints Augustine, Francis, a Bishop Saint, and Benedict represents Fra Filippo Lippi's early work, painted just years after he had taken Carmelite orders. Lippi was among the most important Florentine painters of the mid-Quattrocento, famous both for his artistic innovations and for his scandalous personal life — he eventually left his monastery and had a son by a nun, Filippino Lippi, who became a major painter in his own right. The four saints depicted here represent different modes of Christian religious life: the bishop-theologian (Augustine), the mendicant friar (Francis), the episcopal church hierarchy, and the monastic founder (Benedict). The work reflects early Florentine altarpiece traditions before Lippi developed his more personal style.

Technical Analysis

Lippi's early technique renders the four saints with clear, precise drawing and careful modeling. The figures are arranged in the traditional formal alignment of altarpiece wings, with each saint differentiated through costume, attribute, and expression. The tempera medium creates a matte, refined surface with clear, luminous colors.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on paper, laid down on canvas, transferred from wood
Dimensions
142.2 × 100.3 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
The Metropolitan Museum of Art, New York
View on museum website →

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Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot by Filippo Lippi

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

Filippo Lippi·1458

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