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The Nativity by Antoniazzo Romano (Antonio di Benedetto Aquilio)

The Nativity

Antoniazzo Romano (Antonio di Benedetto Aquilio)·1480s

Historical Context

Antoniazzo Romano painted this Nativity in the 1480s, during the pontificate of Sixtus IV when Rome was undergoing major artistic renewal. As the city's principal painter, Antoniazzo received numerous commissions from Roman churches and confraternities. This work shows his absorption of influences from Florentine painters like Melozzo da Forlì and Perugino who were active in Rome during this period.

Technical Analysis

The tempera on wood technique demonstrates Antoniazzo's smooth, refined painting surface and bright, clear palette. The landscape setting and spatial arrangement of figures reflect the growing influence of Umbrian painting on Roman art in the late Quattrocento.

See It In Person

The Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
Tempera on wood
Dimensions
29.2 × 67.3 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Landscape
Location
The Metropolitan Museum of Art, New York
View on museum website →

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Madonna and Child by Antoniazzo Romano (Antonio di Benedetto Aquilio)

Madonna and Child

Antoniazzo Romano (Antonio di Benedetto Aquilio)·1452

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Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450