
The Swing
Nicolas Lancret·c. 1723–1727
Historical Context
The Swing from Lancret's panel series depicts the iconic Rococo subject of garden leisure — a figure on a swing, suspended between earth and sky, freed from gravity in a moment of playful abandon. The swing was one of the most charged symbols in Rococo art, its physical experience of weightlessness and repeated motion suggesting the pleasures of freedom, youth, and the suspension of social constraint. Lancret treated this subject before Fragonard's famous Swing of 1767 made it the definitive emblem of Rococo eroticism; his version retains the innocence and elegance of the early Rococo while establishing the decorative vocabulary that Fragonard would later charge with sexual suggestion.
Technical Analysis
Lancret captures the dynamic movement of the swinging figure with fluid, energetic brushwork. The garden setting is painted with atmospheric, feathery strokes in warm, luminous tones. The composition creates a sense of joyful movement within the decorative framework of the panel ensemble.
Provenance
Viscount Pierre de Chezelles and Vicomte Hippolyte le Sellier de Chezelles; Lord Duveen (1869-1939), London, England; Mr. 'Commodore' Louis Dudley Beaumont (1857-1942) and Mrs. Beaumont (Helene M. Thomas) (1895-1988), Cap d’Antibes, France; Louis Dudley Beaumont Foundation, by gift to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH






