
Wall Panels: The Gardener, Horticulture, The Vineyard, The See-Saw, The Swing
Nicolas Lancret·c. 1723–27
Historical Context
Lancret's Wall Panels depicting garden and leisure subjects from around 1723-1727 were part of the enormous demand for decorative painted series that furnished the private apartments of Parisian aristocrats and wealthy bourgeois. The panel series format — multiple related paintings designed to line the walls of a room — was the Rococo's primary vehicle for large-scale decorative painting, combining thematic coherence with individual pictorial interest in each panel. Lancret was among the most accomplished providers of such decorative series, his elegant, cheerful scenes perfectly calibrated to the taste for refined gaiety that characterized French upper-class culture in the Regency and Louis XV periods.
Technical Analysis
Lancret's decorative technique employs the fluid brushwork and luminous palette of the fête galante tradition. Each panel is designed as part of an integrated ensemble, with consistent coloring and atmosphere. The figures are rendered with elegant grace within garden settings painted with feathery, atmospheric strokes.
Provenance
Viscount Pierre de Chezelles and Vicomte Hippolyte le Sellier de Chezelles; Lord Duveen (1869-1939), London, England; Mr. 'Commodore' Louis Dudley Beaumont (1857-1942) and Mrs. Beaumont (Helene M. Thomas) (1895-1988), Cap d’Antibes, France; Louis Dudley Beaumont Foundation, by gift to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH





