The Vineyard
Nicolas Lancret·c. 1723–1727
Historical Context
The Vineyard from Lancret's panel series celebrates the wine harvest — one of the seasonal activities of rural life that the Rococo transformed into an occasion for elegant social pleasure. The vineyard harvest, with its combination of outdoor labor, communal activity, and the anticipation of festivity associated with wine, provided Lancret with a pretext for depicting figures in natural settings engaged in social interaction. His treatment of agricultural subjects consistently softens the reality of labor into the appearance of pleasure, transforming the vineyard harvest into a garden party attended by elegantly dressed figures who participate in the harvest as a form of aristocratic game.
Technical Analysis
Lancret renders the vineyard scene with his characteristic decorative elegance, using warm, golden tones suggestive of autumn harvest. The figures are posed with graceful, theatrical gestures within the vine-covered landscape. The technique is fluid and luminous, appropriate to the panel's decorative function.
Provenance
Viscount Pierre de Chezelles and Vicomte Hippolyte le Sellier de Chezelles; Lord Duveen (1869-1939), London, England; Mr. 'Commodore' Louis Dudley Beaumont (1857-1942) and Mrs. Beaumont (Helene M. Thomas) (1895-1988), Cap d’Antibes, France; Louis Dudley Beaumont Foundation, by gift to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH






