
Portrait of Isidoro Maiquez
Historical Context
Goya's Portrait of Isidoro Máiquez from around 1807 depicts Spain's greatest actor of the period, who had studied in France and introduced the Shakespearean and neoclassical dramatic styles to Spanish theater. Máiquez was celebrated for his naturalistic acting technique — a reform of the declamatory Spanish theatrical tradition — and his friendship with Goya reflected the shared world of Spanish progressive intellectuals and artists at the court of Charles IV. Goya painted the actor with the psychological directness he brought to all his portraits, the face rendered with the same searching observation he applied to the royal family and the Inquisitor Cardinals. This portrait predates the catastrophic Peninsular War by one year.
Technical Analysis
Goya's portrait technique is characteristically bold and direct, with warm flesh tones and penetrating psychological observation. The dark background isolates the sitter's face and upper body, while the brushwork varies from precise modeling in the face to broader, more fluid handling in the costume. The overall effect conveys the actor's magnetic presence.
Provenance
Possibly Anticuario Rafel García, Madrid, end of nineteenth century [according to Prado 2008]. Durand-Ruel, New York, c. 1905 [according to a letter from Durand-Ruel to Martin A. Ryerson dated January 13, 1913, copy in curatorial file]; sold to Martin A. Ryerson (died 1932), Chicago, 1913 [according to the letter cited above]; on loan to the Art Institute from 1917; bequeathed to the Art Institute, 1933.







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