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Boy on a Ram by Francisco José de Goya y Lucientes

Boy on a Ram

Francisco José de Goya y Lucientes·1786–87

Historical Context

Goya's Boy on a Ram from 1786-87 is one of a series of tapestry cartoons he painted for the Royal Tapestry Factory of Santa Bárbara, which wove decorative tapestries for the royal palaces. These cartoons, depicting scenes of popular leisure and rural life, represent Goya's most publicly accessible work before the dark turn of his later career — playful, colorful celebrations of Spanish everyday life that expressed Enlightenment ideals of natural happiness and social harmony. The boy riding a ram combines child portraiture with pastoral tradition; its charming subject and festive palette give little indication of the artist who would paint the Disasters of War twenty years later, demonstrating the radical transformation Goya's vision underwent.

Technical Analysis

Goya's technique in the tapestry cartoons is bright, clear, and decorative, appropriate to their function as designs for woven textiles. The colors are vivid and the forms are clearly defined with strong outlines. The warm palette and luminous sky create an atmosphere of carefree childhood pleasure.

Provenance

Real Fábrica de Tapices de Santa Bárbara, 1786/87 (painted as a cartoon for a series of tapestries executed there for Rey Carlos III for the palacio at El Pardo, outside Madrid); Livinio Stuyk y Vandergoten, by 1887 (director of the Real Fábrica de Tapices de Santa Bárbara); by descent to his son, Gabino Stuyk, Madrid, by 1900. Real Fábrica de Tapices, Madrid, by 1911 [this and the following according to a letter from March 19, 1991, from Melissa de Medeiros, Knoedler and Company, to Mary Kuzniar; copy in curatorial file]; sold to Knoedler and Company, London and New York, September 1911; sold to Charles Deering (died 1927), April 1912; by descent to his daughter, Mrs. Chauncey McCormick, Chicago; by descent to her son, Brooks McCormick, Chicago; given by Mr. and Mrs. Brooks McCormick to the Art Institute of Chicago, 1979.

See It In Person

Art Institute of Chicago

Chicago, United States

Gallery: Gallery 217

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
127.2 × 112.1 cm
Era
Romanticism
Style
Spanish Romanticism
Genre
Religious
Location
Art Institute of Chicago, Chicago
Gallery
Gallery 217
View on museum website →

More by Francisco José de Goya y Lucientes

Friar Pedro Shoots El Maragato as His Horse Runs Off by Francisco José de Goya y Lucientes

Friar Pedro Shoots El Maragato as His Horse Runs Off

Francisco José de Goya y Lucientes·c. 1806

Portrait of General José Manuel Romero by Francisco José de Goya y Lucientes

Portrait of General José Manuel Romero

Francisco José de Goya y Lucientes·c. 1810

Winter Scene by Francisco José de Goya y Lucientes

Winter Scene

Francisco José de Goya y Lucientes·c. 1786

El Maragato Threatens Friar Pedro de Zaldivia with His Gun by Francisco José de Goya y Lucientes

El Maragato Threatens Friar Pedro de Zaldivia with His Gun

Francisco José de Goya y Lucientes·c. 1806

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