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The Continence of Scipio
Apollonio di Giovanni·c. 1455
Historical Context
This cassone panel depicting the Continence of Scipio (c. 1455) from the workshop of Apollonio di Giovanni exemplifies the Florentine tradition of painting elaborate narrative scenes on wedding chests. Cassoni were produced in pairs to mark marriage alliances between prominent families, and the subjects chosen — episodes from Roman history, mythology, and chivalric romance — carried moral messages appropriate to the occasion. The Continence of Scipio, in which the Roman general returns a captive woman to her betrothed rather than claiming her as a prize of war, exemplified the virtue of self-restraint expected of a Florentine husband. Apollonio's workshop was the most productive cassone producer in mid-century Florence.
Technical Analysis
The tempera-on-panel technique employs the bright, flat colors and decorative gold accents typical of cassone painting. The continuous narrative composition unfolds across the panel in the manner of a frieze, with architectural settings creating spatial divisions between episodes.
Provenance
Probably Emile Gavet, Paris [according to Registrar’s records]; Martin A. Ryerson (d. 1932), Chicago, by 1912 [according to a letter from Frank Jewett Mather, Jr., to Martin A. Ryerson of November 22,1912, Ryerson papers, Archives, The Art Institute of Chicago]; on loan to the Art Institute from 1924; bequeathed to the Art Institute, 1933.


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