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Retable of Saints Athanasius, Blaise, and Agatha by Master of Riglos

Retable of Saints Athanasius, Blaise, and Agatha

Master of Riglos·c. 1440–c. 1445

Historical Context

The Master of Riglos painted this retable of Saints Athanasius, Blaise, and Agatha around 1440-45, a multi-panel altarpiece from the kingdom of Aragon. Named after works in the church of Riglos in Huesca province, this anonymous master represents the International Gothic style as practiced in northeastern Spain. The three saints — a bishop, a healer, and a virgin martyr — provided protection against specific ailments and dangers for the local community.

Technical Analysis

The tempera on panel demonstrates the rich, decorative quality of Aragonese Gothic painting with bright colors, gold ground, and elaborate textile patterns. The figures are rendered with the characteristic combination of stylized elegance and devotional directness that defines the Hispano-Gothic tradition.

Provenance

Gift of the Antiquarian Society, 1911 [Registrar's records, Daybook, vol. 5, p. 8].

See It In Person

Art Institute of Chicago

Chicago, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
Christ on the Cross panel: 69.8 × 81.2 cm; Coronation of the Virgin panel: 87.4 × 80.3 cm; Scenes from the Life of Saint Blaise panel: 154.3 × 69.8 cm; Saint Athanasius panel: 128.6 × 82 cm; Scenes from the Life of Saint Agatha panel: 154.5 × 69.8 cm; Overall: 206.1 × 226.9 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Art Institute of Chicago, Chicago
View on museum website →

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