Assumption of the Virgin
Marcellus Coffermans·16th century
Historical Context
Marcellus Coffermans' Assumption of the Virgin perpetuates the conservative devotional painting tradition of 16th-century Antwerp. Coffermans specialized in producing small devotional panels in a deliberately archaic style inspired by Rogier van der Weyden and the early Netherlandish masters, catering to a market that valued traditional sacred imagery. His works served Catholic communities who sought continuity with established devotional traditions during the Reformation upheaval.
Technical Analysis
Coffermans' oil-on-panel technique deliberately imitates the smooth, precise style of the early Netherlandish masters with careful, detailed brushwork. The deliberately conservative style serves the devotional function of the painting by connecting it visually to the revered traditions of van der Weyden and Memling.
Provenance
Dr. John E. Stillwell, New York, by 1927; sold, American Art Association, Anderson Galleries, New York, Dec. 1–3, 1927, no. 244, to Clapp and Graham as agent for Harding [registrar’s records]; George F. Harding, Jr. (d. 1939), Chicago; bequeathed to the George F. Harding Museum, Chicago; offered for sale, Sotheby’s, New York, Dec. 2, 1976, no. 185, withdrawn; ownership transferred to the Art Institute, 1982; accessioned, 1984.
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