With brushwood

Late-career work from 1913, this canvas depicting figures or a scene involving brushwood confirms Fałat's continued engagement with the rural and working landscape of the Carpathian region well into his directorship of the Kraków School. "With brushwood" suggests a scene of agricultural or woodland labor — the gathering of cut branches for fuel or fencing — the kind of subject that combined his interest in winter landscape with the presence of human figures defined by their relationship to the land. Such subjects carried social as well as aesthetic meaning in early twentieth-century Polish art, with the peasant and the rural worker serving as symbols of authentic national identity in a period when Poland remained partitioned. Fałat's treatment of such subjects was invariably atmospheric rather than tendentious — he was interested in the visual poetry of labor in a winter environment, not in social commentary. The National Museum in Warsaw holds this as part of its substantial Fałat collection.

Fałat integrates figural and landscape elements through a unifying tonal approach in which neither fully dominates. The brushwood itself may function as a compositional element — dark organic forms against the luminous snow — while figures are likely rendered with atmospheric looseness rather than portrait specificity.