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Holy Family in a Landscape by Pier Francesco Mola

Holy Family in a Landscape

Pier Francesco Mola·1632

Historical Context

Mola's Holy Family in a Landscape is one of several works combining devotional subjects with landscape settings in his characteristically warm, atmospheric manner. The genre of the landscape-embedded sacred narrative descends from Titian and the Venetian tradition, and Mola was one of its most accomplished Roman practitioners in the mid-17th century. The relatively early date of 1632 places this among his works before his distinctive style had fully matured.

Technical Analysis

The Holy Family rests within a broadly rendered landscape, the figures bathed in warm light that integrates them with the natural setting. Mola's Venetian palette — rich greens, warm ochres, and the characteristic hazy blue of his skies — establishes the contemplative mood of the devotional subject.

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http://www.wikidata.org/.well-known/genid/ef9d4693d4502e8f2b579b18b813e207

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Quick Facts

Medium
Oil on canvas
Era
Baroque
Genre
Landscape
Location
http://www.wikidata.org/.well-known/genid/ef9d4693d4502e8f2b579b18b813e207,
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More by Pier Francesco Mola

Homer Dictating by Pier Francesco Mola

Homer Dictating

Pier Francesco Mola·1660–65

Cain Slaying Abel by Pier Francesco Mola

Cain Slaying Abel

Pier Francesco Mola·ca. 1650–52

Rest on the Flight into Egypt by Pier Francesco Mola

Rest on the Flight into Egypt

Pier Francesco Mola·1649

Flora and the Infant Bacchus in a Wooded Landscape by Pier Francesco Mola

Flora and the Infant Bacchus in a Wooded Landscape

Pier Francesco Mola·1650

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612