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The Raising of Lazarus by Duccio di Buoninsegna

The Raising of Lazarus

Duccio di Buoninsegna·1310

Historical Context

The Raising of Lazarus by Duccio di Buoninsegna, painted around 1310, is one of the narrative panels from the reverse of the monumental Maestà altarpiece, Duccio's supreme masterpiece created for the high altar of Siena Cathedral. The Maestà's back panels depicted scenes from Christ's Passion and Ministry in an unprecedented narrative cycle that transformed the possibilities of Gothic altarpiece painting. Now at the Kimbell Art Museum, this panel was separated from the altarpiece after its dismemberment in 1771 and represents one of the most emotionally compelling episodes in Duccio's Gospel narrative.

Technical Analysis

Painted in tempera and gold on panel, the scene demonstrates Duccio's mastery of compact, expressive narrative composition within a limited format. The figures are arranged with characteristic Sienese elegance, and Duccio's refined color harmonies and fluid drapery create a scene of remarkable visual poetry and emotional power.

See It In Person

Museo d'arte Kimbell

Fort Worth,

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
46 × 43 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Museo d'arte Kimbell, Fort Worth
View on museum website →

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Rucellai Madonna by Duccio di Buoninsegna

Rucellai Madonna

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Gualino Madonna by Duccio di Buoninsegna

Gualino Madonna

Duccio di Buoninsegna·1280

Original rose window by Duccio di Buoninsegna

Original rose window

Duccio di Buoninsegna·1287

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Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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