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Around the Town by Georges Seurat

Around the Town

Georges Seurat·1883

Historical Context

Painted in 1883 and now at the Hiroshima Museum of Art, this urban scene represents Seurat's engagement with the streets and life of Paris in the period immediately before his divisionist breakthrough. The title 'Around the Town' suggests a generalised urban observation rather than a specific site, aligning with the Impressionist tradition of recording the visual texture of contemporary Paris without the narrative specificity of Realist urban painting. The work sits in the transitional zone between Seurat's early experimental work and the systematic pointillism of 1885 onward.

Technical Analysis

The urban setting allows Seurat to study the behaviour of light on built surfaces—stone façades, pavements, shadows cast by buildings. The brushwork is disciplined and directional, applied with greater regularity than Impressionist spontaneity but not yet the full dot-by-dot system of mature pointillism.

See It In Person

Hiroshima Museum of Art

Hiroshima, Japan

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Cityscape
Location
Hiroshima Museum of Art, Hiroshima
View on museum website →

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Le Bec du Hoc, Grandcamp by Georges Seurat

Le Bec du Hoc, Grandcamp

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Houses and Garden by Georges Seurat

Houses and Garden

Georges Seurat·1882

View of Le Crotoy from Upstream by Georges Seurat

View of Le Crotoy from Upstream

Georges Seurat·1889

Young Woman Powdering Herself (Study) by Georges Seurat

Young Woman Powdering Herself (Study)

Georges Seurat·1889

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885