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The Crucifixion, the Nativity and Saints by Ambrogio Lorenzetti

The Crucifixion, the Nativity and Saints

Ambrogio Lorenzetti·1322

Historical Context

Ambrogio Lorenzetti (c. 1290–1348) was one of the most innovative painters of the Sienese school, renowned for his spatial experiments and narrative complexity. This panel combining the Crucifixion, Nativity, and Saints from around 1322, now at the Stadel Museum, likely served as a portable devotional work or part of a larger altarpiece ensemble. Ambrogio's early works already display the intellectual ambition and spatial awareness that would later produce his legendary Allegory of Good and Bad Government in the Palazzo Pubblico of Siena.

Technical Analysis

Painted in egg tempera and gold leaf on wood panel, the work demonstrates Ambrogio's characteristic approach of combining Sienese decorative refinement with an emerging interest in three-dimensional space. The figures display naturalistic weight and emotion within the constraints of the gold-ground Gothic format.

See It In Person

Städel Museum

Frankfurt, Germany

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
58.8 × 39.1 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Städel Museum, Frankfurt
View on museum website →

More by Ambrogio Lorenzetti

Presentation at the Temple by Ambrogio Lorenzetti

Presentation at the Temple

Ambrogio Lorenzetti·1342

Madonna and Child by Ambrogio Lorenzetti

Madonna and Child

Ambrogio Lorenzetti·1320

Madonna and child with saints and angels by Ambrogio Lorenzetti

Madonna and child with saints and angels

Ambrogio Lorenzetti·1335

Stories of Saint Nicholas by Ambrogio Lorenzetti

Stories of Saint Nicholas

Ambrogio Lorenzetti·1332

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295