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Enterrement en Bretagne by Charles Cottet

Enterrement en Bretagne

Charles Cottet·1900

Historical Context

'Enterrement en Bretagne' (Funeral in Brittany), painted by Cottet around 1900, is one of his most characteristic subjects—the Breton funeral procession, with its black-clad mourners, religious solemnity, and the stark coastal landscape as backdrop. Cottet had constructed a vision of Brittany as a region of existential gravity: its inhabitants lived close to death through fishing and the sea, and its religious customs carried an archaic weight that distinguished them from modern France. This funeral scene is the logical subject for such a vision—death as both individual event and collective ritual. The Brest Museum of Fine Arts holds the work.

Technical Analysis

Cottet employs his characteristic sombre palette—blacks, deep greys, and earth tones—to render the funeral's visual gravity. The procession of dark figures against the Breton landscape creates a solemn horizontal movement through the composition, with the figures' mass serving as the painting's primary pictorial substance.

See It In Person

Brest’s Museum of Fine Arts

Brest,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
Brest’s Museum of Fine Arts, Brest
View on museum website →

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Fog

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Portrait of a Woman by Charles Cottet

Portrait of a Woman

Charles Cottet·1900

Breton Women in Mourning by Charles Cottet

Breton Women in Mourning

Charles Cottet·1903

Mourning in Ouessant by Charles Cottet

Mourning in Ouessant

Charles Cottet·1903

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

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Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885