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Mary Magdalene by Lippo Memmi

Mary Magdalene

Lippo Memmi·1330

Historical Context

Mary Magdalene by Lippo Memmi, brother-in-law and close collaborator of Simone Martini, represents the refined elegance of the Sienese Gothic school at its height. Lippo Memmi worked alongside Simone on major commissions including the famous Annunciation for Siena Cathedral, and his individual works share the same courtly grace and luminous color. Saint Mary Magdalene, shown with her traditional attribute of the ointment jar, was among the most popular female saints in medieval devotion.

Technical Analysis

Executed in tempera and gold on panel, the painting exemplifies the Sienese Gothic ideal of refined beauty through elegant linear contours, delicate facial modeling, and sumptuous decorative detail. The tooled gold ground with elaborate punchwork and the saint's richly patterned garments demonstrate the technical virtuosity of the Sienese workshop tradition.

See It In Person

Rhode Island School of Design Museum

Providence, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
49.5 × 22.5 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Rhode Island School of Design Museum, Providence
View on museum website →

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Madonna lactans

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Madonna and Child by Lippo Memmi

Madonna and Child

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Crucifixion by Lippo Memmi

Crucifixion

Lippo Memmi·1340

St. Peter by Lippo Memmi

St. Peter

Lippo Memmi·1330

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Crucifixion

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Death of the Virgin

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Madonna and Child of San Giorgio alla Costa

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