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The Visitation by Marco d'Oggiono

The Visitation

Marco d'Oggiono·1600

Historical Context

Marco d'Oggiono was a Milanese painter and close associate of Leonardo da Vinci, whose influence pervades all his surviving works. The Visitation — the meeting of the Virgin Mary with her cousin Elizabeth — was a subject d'Oggiono would have encountered in Leonardo's circle, where Marian iconography was deeply considered. D'Oggiono's works are important witnesses to the transmission of Leonardesque style in early sixteenth-century Lombardy.

Technical Analysis

The two figures embrace in a gently pyramidal composition, their expressions rendered with the soft, slightly sfumato modelling learned directly from Leonardo. D'Oggiono's palette is characteristically warm, and his handling of drapery shows the careful attention to descriptive detail typical of the Lombard school. The landscape background carries Leonardesque atmospheric recession.

See It In Person

Musée des Beaux-Arts de Strasbourg

Strasbourg, France

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Quick Facts

Medium
Oil on canvas
Era
Baroque
Genre
Religious
Location
Musée des Beaux-Arts de Strasbourg, Strasbourg
View on museum website →

More by Marco d'Oggiono

Portrait of a Youth as Saint Sebastian by Marco d'Oggiono

Portrait of a Youth as Saint Sebastian

Marco d'Oggiono·late 1480s

Girl with Cherries by Marco d'Oggiono

Girl with Cherries

Marco d'Oggiono·1491

The Mystical Marriage of Saint Catherine by Marco d'Oggiono

The Mystical Marriage of Saint Catherine

Marco d'Oggiono·1490

Madonna and Child by Marco d'Oggiono

Madonna and Child

Marco d'Oggiono·1490

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612