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Vidraça Piracicaba by Oreste Sercelli

Vidraça Piracicaba

Oreste Sercelli·1900

Historical Context

'Vidraça Piracicaba' (Piracicaba Window), painted by Sercelli in 1900, documents an architectural detail from Piracicaba—a city in the São Paulo state interior whose rapid growth in the coffee era made it a significant urban centre. The 'vidraça' (stained or leaded glass window) as subject suggests Sercelli was documenting the decorative architecture of a specific building—possibly a church, public building, or elite residence—in which such ornamental glazing was a mark of civic ambition. The Ipiranga Museum holds this architectural documentation.

Technical Analysis

A stained or decorative glass window presents the specific challenge of rendering both the glass's colour and transparency and the light passing through it, creating luminous effects distinct from opaque surfaces. Sercelli's handling of these translucent qualities tests his capacity for optical description.

See It In Person

Ipiranga Museum

São Paulo, Brazil

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Architectural
Location
Ipiranga Museum, São Paulo
View on museum website →

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Sala de Jantar 05 by Oreste Sercelli

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