ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Two Cats, Blue and Yellow by Franz Marc

Two Cats, Blue and Yellow

Franz Marc·1912

Historical Context

'Two Cats, Blue and Yellow' from 1912 at the Kunstmuseum Basel is among the most directly accessible and visually immediate of Marc's animal paintings, the two cats providing a natural chromatic contrast that aligned perfectly with his colour symbolism: blue for the spiritual, masculine principle; yellow for joy, the feminine, the sensuous. Marc deployed this colour opposition throughout his work, and the two cats make it unusually legible — their complementary colours are both observationally plausible (black-blue cats and yellow-striped cats both exist) and symbolically precise. The composition of the two cats — their bodies curved toward each other or in proximity — creates a dialogue between the two colour principles that has both formal elegance and symbolic meaning. By 1912 Marc was fully engaged with the Blaue Reiter project and was producing some of his most celebrated works, including the large animal paintings that would culminate in the 'Tower of Blue Horses' the following year. Cats were among his most frequently depicted animals alongside horses and deer, their combination of domestic familiarity and wild, self-sufficient independence making them particularly apt vehicles for his vision of animal spiritual life. The Kunstmuseum Basel holds significant Expressionist holdings alongside this work.

Technical Analysis

Oil on canvas with Marc's characteristic colour planes and bold chromatic opposition. The two cats' blue and yellow coats are the primary compositional element, with the surrounding environment adjusted to create harmonious or contrasting colour relationships with the central figures. The cats' sinuous forms are simplified into flowing, abstracted shapes that convey feline grace without conventional naturalistic modelling.

Look Closer

  • ◆Blue and yellow are Marc's paired symbolic opposites — spiritual and joyful, masculine and feminine — both embodied simultaneously in these two cats
  • ◆The cats' sinuous bodies are simplified into flowing abstract shapes that convey feline character without conventional anatomical detail
  • ◆Notice how the surrounding environment's colours are adjusted to dialogue with or contrast against the cats' primary blue and yellow
  • ◆The two cats in proximity create a visual conversation between two colour principles — trace the compositional relationship between them

See It In Person

Kunstmuseum Basel

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Post-Impressionism
Genre
Genre
Location
Kunstmuseum Basel,
View on museum website →

More by Franz Marc

Mountains by Franz Marc

Mountains

Franz Marc·1911

Landschaft mit rotem Tier by Franz Marc

Landschaft mit rotem Tier

Franz Marc·1913

Lying bull by Franz Marc

Lying bull

Franz Marc·1913

Little monkey on a cart by Franz Marc

Little monkey on a cart

Franz Marc·1906

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885