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The Crucifixion by Pseudo Jacopino di Francesco

The Crucifixion

Pseudo Jacopino di Francesco·1320

Historical Context

This Crucifixion (c. 1320) by Pseudo Jacopino di Francesco represents the Bolognese school of Gothic painting, which developed its own distinctive character under the dual influence of Byzantine miniature painting and Giotto's innovations. The anonymous master, named after a confusion with the documented painter Jacopino di Francesco, produced emotionally charged religious works for churches in the Emilia-Romagna region. The panel, now in the Musée du Petit Palais in Avignon, testifies to the widespread circulation of Italian Trecento paintings.

Technical Analysis

Executed in egg tempera and gold leaf on panel, the Crucifixion displays the Bolognese school's characteristic blend of expressive linearity and vivid coloring. The mourning figures are arranged in rhythmic groupings with dramatic gestures of grief, while the elongated corpus of Christ shows the refined anatomical modeling typical of this school.

See It In Person

Musée du Petit Palais

Paris, France

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
47 × 37 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Musée du Petit Palais, Paris
View on museum website →

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The Last Supper

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Interment of Saint Francis by Pseudo Jacopino di Francesco

Interment of Saint Francis

Pseudo Jacopino di Francesco·1350

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

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Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295