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Saint John the Evangelist by Simone Martini

Saint John the Evangelist

Simone Martini·1330

Historical Context

Simone Martini's Saint John the Evangelist (c. 1330) depicts the beloved disciple in the refined, courtly style that made Simone the most internationally influential Italian painter of the fourteenth century. The panel likely formed part of a polyptych, with individual saints arranged as intercessory figures around a central image. Simone's work at the papal court in Avignon (from 1336) helped transmit Italian Gothic innovations to northern Europe, influencing the development of International Gothic style.

Technical Analysis

Executed in egg tempera on gold ground, the figure exemplifies Simone's mastery of elegant linear rhythms and sumptuous surface effects. The evangelist's drapery flows in graceful curves, while the tooled gold halo and background demonstrate the refined decorative craftsmanship of the Sienese school.

See It In Person

Yale University Art Gallery

New Haven, United States

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Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Yale University Art Gallery, New Haven
View on museum website →

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Triptych of Saint Augustine by Simone Martini

Triptych of Saint Augustine

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Polyptych of Saint Dominique by Simone Martini

Polyptych of Saint Dominique

Simone Martini·1323

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