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Virgin and Child Enthroned with Two Angel by Master of Varlungo

Virgin and Child Enthroned with Two Angel

Master of Varlungo·1290

Historical Context

This Virgin and Child Enthroned with Two Angels by the Master of Varlungo represents late Duecento Florentine devotional painting at the moment when the city's artists were beginning to move beyond rigid Byzantine formulas. The Master of Varlungo, named after a church near Florence, worked in the circle influenced by Coppo di Marcovaldo and the young Cimabue. Now at the Yale University Art Gallery, this panel demonstrates the increasing scale and ambition of Tuscan Marian devotional images as altarpiece commissions grew in importance.

Technical Analysis

Painted in egg tempera with gold leaf on a prepared panel, the enthroned Virgin follows the traditional frontal composition with flanking angels. The modeling of faces and drapery shows greater three-dimensionality than earlier Byzantine-style works, with softer transitions and more naturalistic proportions emerging within the traditional format.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Yale University Art Gallery, New Haven
View on museum website →

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Madonna and Child Enthroned with Angels by Master of Varlungo

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Virgin and Christ with Saints James, John the Baptist, Peter and Franci by Master of Varlungo

Virgin and Christ with Saints James, John the Baptist, Peter and Franci

Master of Varlungo·1290

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