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The Annunciation by Niccolò di Pietro Gerini

The Annunciation

Niccolò di Pietro Gerini·1385

Historical Context

Niccolò di Pietro Gerini painted this Annunciation around 1385, depicting the archangel Gabriel's announcement to the Virgin Mary that she would bear the Son of God. The Annunciation was one of the most theologically charged subjects in Gothic art, representing the moment of the Incarnation and the beginning of human salvation. Gerini, a pillar of the conservative Florentine painting tradition, received numerous commissions for such fundamental devotional subjects from churches and confraternities.

Technical Analysis

Executed in egg tempera on gold-ground panel, the composition follows the established Gothic format with Gabriel and the Virgin facing each other across a defined architectural or spatial divide. Gerini's measured draftsmanship and clear figural articulation make the theological narrative legible and authoritative.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Yale University Art Gallery, New Haven
View on museum website →

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Virgin and Child Enthroned by Niccolò di Pietro Gerini

Virgin and Child Enthroned

Niccolò di Pietro Gerini·1404

Scene From the Legend of Saint Giovanni Gualberto by Niccolò di Pietro Gerini

Scene From the Legend of Saint Giovanni Gualberto

Niccolò di Pietro Gerini·1410

Virgin Annunciate by Niccolò di Pietro Gerini

Virgin Annunciate

Niccolò di Pietro Gerini·1415

Augustine baptized by Ambrose by Niccolò di Pietro Gerini

Augustine baptized by Ambrose

Niccolò di Pietro Gerini·1414

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Madonna and Child of San Giorgio alla Costa

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