Portrait of Anna Maria van Nutt

This 1658 portrait of Anna Maria van Nutt demonstrates Bol's mature portrait style, which had evolved from his early Rembrandtesque manner toward a smoother, more classicizing approach that appealed to Amsterdam's wealthy elite. Ferdinand Bol was one of Rembrandt's most talented pupils, and his portraits and history paintings from his years in the master's studio are sometimes difficult to distinguish from Rembrandt's own work—a testament to his exceptional skill in absorbing the master's technique.

The portrait renders the sitter with polished elegance, Bol's refined late style creating a surface of smooth finish and careful attention to costume and complexion that suited the taste of prosperous Dutch burghers.