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Panneau décoratif by Odilon Redon

Panneau décoratif

Odilon Redon·1902

Historical Context

Panneau décoratif, painted in 1902 and now at the Rijksmuseum Twenthe in the Netherlands, represents Redon's engagement with interior decoration—a field that attracted many Post-Impressionist painters seeking to elevate everyday spaces with art. In the decorative panel format, Redon was free to dissolve narrative entirely in favour of pure colour arrangement, floral motifs, and floating figures. The Nabis had already established decorative flatness as a serious artistic mode, and Redon's panel works participate in that same ambition without belonging to any school. The Rijksmuseum Twenthe holds several important Redon works, reflecting sustained Dutch collecting interest in French Symbolism.

Technical Analysis

Executed in oil or pastel on panel, decorative works like this deploy Redon's signature approach of rich, unmodulated colour zones with figures or botanicals embedded in them. Spatial recession is minimal; the composition works as surface pattern first and pictorial space second.

See It In Person

Rijksmuseum Twenthe

Enschede, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Still Life
Location
Rijksmuseum Twenthe, Enschede
View on museum website →

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Autoportrait en buste by Odilon Redon

Autoportrait en buste

Odilon Redon·1876

Navet by Odilon Redon

Navet

Odilon Redon·1875

Les rochers (Rochers en Bretagne) by Odilon Redon

Les rochers (Rochers en Bretagne)

Odilon Redon·1875

Rue de village by Odilon Redon

Rue de village

Odilon Redon·1875

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885