Baroncelli Polyptych
Giotto·1328
Historical Context
The Baroncelli Polyptych, painted around 1328, is a major late altarpiece by Giotto created for the Baroncelli Chapel in the Basilica of Santa Croce in Florence, where it remains to this day. The polyptych depicts the Coronation of the Virgin surrounded by ranks of angels and saints in a magnificent golden composition. The Baroncelli Chapel is one of the finest examples of Trecento patronage, with frescoes by Taddeo Gaddi, Giotto's most prominent pupil, complementing the master's altarpiece. The polyptych demonstrates Giotto's ability to work within the formal conventions of the multi-panel altarpiece while infusing the figures with his characteristic naturalism.
Technical Analysis
The polyptych format organizes figures in hierarchical tiers within a richly gilded framework, with the central Coronation scene flanked by registers of saints and angels. Giotto's figures display his characteristic volumetric solidity even within the highly decorative gold-ground format, their drapery falling in convincing sculptural folds. The extensive use of gold leaf and the intricate tooling of the halos and backgrounds demonstrate the refined workshop craftsmanship required for such elaborate commissions.
