
Madonna and Child Enthroned with Angels and Saints
Bernardo Daddi·1334
Historical Context
Bernardo Daddi's Madonna and Child Enthroned with Angels and Saints, painted in 1334 and housed in the Uffizi Gallery, exemplifies the artist's position as the leading Florentine panel painter after Giotto's death. Daddi softened Giotto's monumental gravity with a more lyrical, decorative sensibility that proved enormously popular with Florentine patrons, particularly the merchant class and religious confraternities. The enthroned Madonna format was the most prestigious type of altarpiece commission in Trecento Florence, central to both civic and ecclesiastical identity.
Technical Analysis
The tempera-on-gold-ground panel presents the Madonna on an elaborately carved Gothic throne surrounded by symmetrically arranged saints and angels. Daddi's refined technique features delicate facial modeling with soft transitions, elegant drapery folds, and meticulous decorative details in the throne architecture and textile patterns.







