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The Woman with a Gambling Mania by Théodore Géricault

The Woman with a Gambling Mania

Théodore Géricault·1820

Historical Context

Géricault's The Woman with a Gambling Mania of 1820 is one of his famous series of portraits of the insane executed at Dr Georget's clinic, depicting the obsessive quality of compulsive gambling through the subject's glazed, inwardly focused expression. Géricault made approximately ten such portraits as a personal artistic project with no commercial ambition — direct documentation of mental illness with a clinical compassion then unusual in art or medicine. The portraits challenged conventional ideas about madness as dangerous or comic, presenting it as a condition deserving the same serious observation Géricault brought to his historical subjects.

Technical Analysis

Géricault renders the subject with unflinching realism and deep empathy, using a dark, restricted palette and direct lighting on the face. The loose, expressive brushwork captures subtle psychological states without clinical detachment.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
77 × 64.5 cm
Era
Romanticism
Style
French Romanticism
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Prancing Horse by Théodore Géricault

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Théodore Géricault·1818–19

The 1821 Derby at Epsom by Théodore Géricault

The 1821 Derby at Epsom

Théodore Géricault·1821

Insane Woman by Théodore Géricault

Insane Woman

Théodore Géricault·1819

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