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Saint Serapion by Francisco de Zurbarán

Saint Serapion

Francisco de Zurbarán·1628

Historical Context

Zurbarán painted Saint Serapion around 1628, depicting the thirteenth-century English monk of the Mercedarian Order who was martyred in Algiers while preaching, crucified and left to die. The work is among his most austere and concentrated: the saint's white Mercedarian habit fills almost the entire canvas, the figure lashed to a cross-like structure in a pose that combines crucifixion reference with a specific historical martyrdom. The white habit, rendered with Zurbarán's characteristic jewel-like attention to fabric, glows with a supernatural luminosity against the dark background, transforming the scene of torture into a meditation on spiritual purity. The painting belongs to a series of Mercedarian subjects commissioned by the Order's monastery in Seville.

Technical Analysis

The extraordinary rendering of the white Mercedarian habit, with its heavy folds catching the light against the dark background, transforms the hanging figure into an almost abstract study of drapery and devotional intensity.

See It In Person

Wadsworth Atheneum Museum of Art

Hartford, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Baroque
Style
Spanish Baroque
Genre
Religious
Location
Wadsworth Atheneum Museum of Art, Hartford
View on museum website →

More by Francisco de Zurbarán

The Crucifixion by Francisco de Zurbarán

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Saint Romanus of Antioch and Saint Barulas by Francisco de Zurbarán

Saint Romanus of Antioch and Saint Barulas

Francisco de Zurbarán·1638

The Young Virgin by Francisco de Zurbarán

The Young Virgin

Francisco de Zurbarán·ca. 1632–33

Saint Benedict by Francisco de Zurbarán

Saint Benedict

Francisco de Zurbarán·ca. 1640–45

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