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Andromache Mourning Hector by Jacques-Louis David

Andromache Mourning Hector

Jacques-Louis David·1782

Historical Context

David painted Andromache Mourning Hector around 1782, depicting the Trojan hero's wife weeping over his dead body in a composition that combined Stoic gravity with intense emotional content. The subject was from Homer's Iliad, and David's treatment established the formula for the Neoclassical funeral lamentation that would culminate in the Death of Socrates and the Death of Marat: the dead figure horizontal, the mourning figure bending over him in an attitude that combined grief with reverence. The painting shows David's mature style fully formed before the great history paintings of the mid-1780s: the classical figure organization, the archaeological setting, and the controlled emotional intensity of the Neoclassical mode.

Technical Analysis

David arranges the scene with stark simplicity: the heroic nude body of Hector on the bed, Andromache's grief-stricken figure, and the sleeping child. The sculptural modeling and austere setting demonstrate David's mature Neoclassical style, indebted to Poussin and antique relief.

See It In Person

Beaux-Arts de Paris

Paris, France

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Quick Facts

Medium
Oil paint
Dimensions
275 × 203 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Religious
Location
Beaux-Arts de Paris, Paris
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Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) by Jacques Louis David

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)

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