
Entry of the Crusaders in Constantinople
Eugène Delacroix·1840
Historical Context
Delacroix painted Entry of the Crusaders into Constantinople for the Salon of 1840, depicting the Fourth Crusade's sack of the Byzantine capital in 1204. Rather than glorifying the conquest, Delacroix emphasizes the pathos of the defeated — weeping women, wounded civilians, and burning buildings. The painting was commissioned for the Crusade galleries at Versailles but transcends patriotic narrative to become a meditation on the human cost of war.
Technical Analysis
Delacroix's rich, warm palette and dramatic composition create a scene of devastating emotional power. The sweeping movement of mounted crusaders against the background of the burning city demonstrates his mastery of large-scale narrative painting with characteristic Romantic intensity.

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