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Entry of the Crusaders in Constantinople by Eugène Delacroix

Entry of the Crusaders in Constantinople

Eugène Delacroix·1840

Historical Context

Delacroix painted Entry of the Crusaders into Constantinople for the Salon of 1840, depicting the Fourth Crusade's sack of the Byzantine capital in 1204. Rather than glorifying the conquest, Delacroix emphasizes the pathos of the defeated — weeping women, wounded civilians, and burning buildings. The painting was commissioned for the Crusade galleries at Versailles but transcends patriotic narrative to become a meditation on the human cost of war.

Technical Analysis

Delacroix's rich, warm palette and dramatic composition create a scene of devastating emotional power. The sweeping movement of mounted crusaders against the background of the burning city demonstrates his mastery of large-scale narrative painting with characteristic Romantic intensity.

See It In Person

Department of Paintings of the Louvre

Paris, France

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Quick Facts

Medium
Oil paint
Dimensions
411 × 497 cm
Era
Romanticism
Style
French Romanticism
Genre
History
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Dante's Bark by Eugène Delacroix

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The Combat of the Giaour and Hassan by Eugène Delacroix

The Combat of the Giaour and Hassan

Eugène Delacroix·1826

Arab Horseman Attacked by a Lion by Eugène Delacroix

Arab Horseman Attacked by a Lion

Eugène Delacroix·1849–50

Hamlet and His Mother by Eugène Delacroix

Hamlet and His Mother

Eugène Delacroix·1849

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Study of Pigs by Alexandre Gabriel Decamps

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