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Othello and Desdemona in Venice by Théodore Chassériau

Othello and Desdemona in Venice

Théodore Chassériau·1850

Historical Context

Chassériau's Othello and Desdemona in Venice of 1850 translates Shakespeare's tragedy into the Venetian setting with characteristic chromatic richness — the moor and his Venetian wife against the architectural backdrop of the Canal Grande, their racial and social difference creating the visual tension that will prove fatal. Chassériau was drawn to Shakespeare's interracial relationships throughout his career, perhaps because his own mixed Creole heritage gave him personal engagement with questions of racial identity and social transgression that Shakespeare's tragedies dramatized with enduring power.

Technical Analysis

Chassériau renders the lovers in a warm, golden Venetian interior with his characteristic blend of precise drawing and luminous color. The intimate composition and the richly decorated setting create an atmosphere of doomed romantic intensity.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
25 × 20 cm
Era
Romanticism
Style
French Romanticism
Genre
Cityscape
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Saracens and Crusaders by Théodore Chassériau

Saracens and Crusaders

Théodore Chassériau·c. 1846

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850) by Théodore Chassériau

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Théodore Chassériau·1841

Desdemona (The Song of the Willow) by Théodore Chassériau

Desdemona (The Song of the Willow)

Théodore Chassériau·1849

The Toilette of Esther by Théodore Chassériau

The Toilette of Esther

Théodore Chassériau·1841

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