
Portrait of Madame Drouais, née Anne Françoise Doré
Historical Context
Madame Drouais, born Anne Francoise Dore, the painter"s own wife, appears in this 1758 portrait at the Louvre. Spousal portraits by prominent painters are significant personal documents, and Drouais"s portrait of his wife shows the artist"s private affections expressed through the medium of his professional skill. The Dore family name appears in the "Mademoiselle Dore" portrait as well, suggesting family connections. Drouais was among the most successful portraitists of pre-Revolutionary France, working in the tradition of his father Hubert Drouais and studying under Carle van Loo, Natoire, and Boucher before establishing himself at court.
Technical Analysis
The wife"s portrait may show a more intimate, less formally posed approach than Drouais"s commissioned work, the familiarity of the relationship allowing a more natural presentation. The handling is characteristically smooth and refined, though the personal connection may introduce greater warmth into the characterization. The palette is gentle and sympathetic.
See It In Person
More by François Hubert Drouais
_-_Metropolitan_Museum_of_Art.jpg&width=600)
Madame Sophie de France (1734–1782)
François Hubert Drouais·1762

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)
François Hubert Drouais·1757

Portrait of a Young Woman as a Vestal Virgin
François Hubert Drouais·1767

Portrait of the Marquise d'Aguirandes
François Hubert Drouais·1759



