Salome

Spinello Aretino depicted Salome in this panel from around 1390, likely as part of a narrative cycle illustrating the life and martyrdom of Saint John the Baptist. The story of Salome's dance and the subsequent beheading of the Baptist was among the most frequently depicted hagiographic narratives in Gothic art, serving as both a cautionary tale and a celebration of the saint's martyrdom. Spinello's vigorous narrative style made him particularly suited to such dramatic subjects.

Painted in egg tempera on panel, the scene demonstrates Spinello Aretino's dynamic compositional energy and expressive figure drawing. The animated poses and clear narrative staging reflect his training in the Giottesque tradition, enriched by a personal flair for dramatic movement.