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Lady Macbeth Seizing the Daggers by Henry Fuseli

Lady Macbeth Seizing the Daggers

Henry Fuseli·1812

Historical Context

Henry Fuseli's Lady Macbeth Seizing the Daggers of 1812 depicts the terrible moment after Duncan's murder when Macbeth, returning with the blood-stained daggers he cannot bear to use further, is confronted by Lady Macbeth who seizes them to return them to the crime scene. Fuseli captured Lady Macbeth's terrifying resolve with the expressive distortion that characterized his engagement with Shakespeare's darkest psychology. The Swiss-born Fuseli was the most psychologically intense painter of the Romantic era, and his Shakespeare subjects consistently explored the extreme states of mind at the play's margin.

Technical Analysis

Fuseli's distinctive style — with its exaggerated proportions, theatrical lighting, and intense psychological drama — creates a Lady Macbeth of terrifying determination. The stark contrasts and the dynamic composition reflect his unique approach to Shakespearean subjects.

See It In Person

Tate

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
127 × 101.6 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Tate, London
View on museum website →

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

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