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Melancholy by Francesco Hayez

Melancholy

Francesco Hayez·1840

Historical Context

Francesco Hayez painted Melancholy around 1840, depicting a single female figure in a state of meditative sadness — the classical temperament of melancholy associated with creative genius and artistic sensitivity since the Renaissance. The subject was among the most popular in European Romantic painting: the solitary figure absorbed in internal experience, removed from social engagement into a private world of thought and feeling. Hayez's treatment gives the melancholic figure the warm coloring and fluid figure modeling of his mature Venetian-influenced style, creating an image of Romantic sensibility that was both personally expressive and commercially very successful.

Technical Analysis

The painting demonstrates Hayez's mastery of flesh tones and his characteristic soft, atmospheric treatment of backgrounds. The subject's introspective pose and downcast eyes are modeled with subtle gradations of light that reveal his training in Venetian colorism.

See It In Person

Pinacoteca di Brera

Milan, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
138.6 × 104 cm
Era
Romanticism
Style
Italian Romanticism
Genre
Religious
Location
Pinacoteca di Brera, Milan
View on museum website →

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The Lampugnani Conspiracy by Francesco Hayez

The Lampugnani Conspiracy

Francesco Hayez·1826

Ritratto del Conte Arese in carcere by Francesco Hayez

Ritratto del Conte Arese in carcere

Francesco Hayez·1828

Portrait of Alessandro Manzoni by Francesco Hayez

Portrait of Alessandro Manzoni

Francesco Hayez·1841

Rinaldo and Armida by Francesco Hayez

Rinaldo and Armida

Francesco Hayez·1812

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