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The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica) by Edward Matthew Ward

The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica)

Edward Matthew Ward·1846

Historical Context

Edward Matthew Ward painted The Disgrace of Lord Clarendon in 1846, depicting a scene from the court of Charles II. Ward specialized in scenes from English history, particularly the Stuart period, painted in a lively, narrative style that made history accessible to Victorian audiences. He was influenced by the French historical painters and brought a Continental polish to British history painting.

Technical Analysis

Ward's careful attention to period costume and setting creates a convincing historical interior. The theatrical composition and the expressive faces of the courtiers demonstrate his skill in combining historical accuracy with dramatic narrative.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
73.7 × 53.3 cm
Era
Romanticism
Style
British Romanticism
Genre
History
Location
National Gallery, London
View on museum website →

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John Forster in His Library by Edward Matthew Ward

John Forster in His Library

Edward Matthew Ward·ca. 1850

The South Sea Bubble, a Scene in ‘Change Alley in 1720 by Edward Matthew Ward

The South Sea Bubble, a Scene in ‘Change Alley in 1720

Edward Matthew Ward·1847

Napoleon in the Prison of Nice in 1794 by Edward Matthew Ward

Napoleon in the Prison of Nice in 1794

Edward Matthew Ward·1841

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