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Calvary; and the Madonna with Eight Saints
Historical Context
This double-sided panel by the Master of the Misericordia, an anonymous Florentine painter active in the late Trecento, combines a Calvary scene with a sacra conversazione of the Madonna and eight saints. Likely created for a confraternity chapel in Florence around 1382, it reflects the devotional practices of lay religious organizations that flourished after the Black Death. The pairing of Christ's Passion with the intercessory presence of saints served both liturgical and contemplative functions for confraternity members.
Technical Analysis
Executed in egg tempera on panel with tooled gold ground, the work features the delicate linear drapery and elongated figures characteristic of late Gothic Florentine painting. The dual composition demonstrates careful spatial planning across both faces of the panel.



