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Long Crendon by Philip Wilson Steer

Long Crendon

Philip Wilson Steer·1924

Historical Context

Long Crendon is a village in Buckinghamshire whose medieval court house and old cottages made it a characteristic English rural subject. Steer painted it in 1924, when he was in his mid-sixties and near-blind—a condition that forced him to increase the scale of his brushwork as his eyesight deteriorated. His late landscapes have a distinctive quality: broad, almost blurred handling that might be seen as decline in control or equally as a final freeing from detail in pursuit of pure atmospheric impression. Long Crendon's village street or church provided the compositional structure around which Steer organized his soft, late-period light. The National Galleries of Scotland holds this late work alongside his earlier, sharper Impressionist paintings, allowing the trajectory of his long development to be traced by comparison.

Technical Analysis

Oil on canvas with the broad, soft handling of Steer's late period, when declining eyesight contributed to increasingly atmospheric effects. Details are dissolved into tonal masses; brushwork is larger and more gestural than earlier work.

Look Closer

  • ◆The broader, softer handling is visibly different from his 1890s work: forms melt into atmosphere rather than being
  • ◆Village architecture—cottages or church tower—provides compositional anchors around which the atmospheric treatment
  • ◆The late afternoon or overcast English light unifies the scene in a single tonal register without sharp contrasts
  • ◆Despite soft handling, the essential character of the English village—set in a gently rolling landscape—is convincingly

See It In Person

National Galleries Scotland

,

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Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Impressionism
Genre
Genre
Location
National Galleries Scotland,
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The Blue Dress by Philip Wilson Steer

The Blue Dress

Philip Wilson Steer·1900

Three Girls Bathing, Thame by Philip Wilson Steer

Three Girls Bathing, Thame

Philip Wilson Steer·1911

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