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O-mata-ah-luta (Red Plume) by Antonio Zeno Shindler

O-mata-ah-luta (Red Plume)

Antonio Zeno Shindler·1887

Historical Context

O-mata-ah-luta, or Red Plume, was a Lakota leader whose portrait Shindler painted in 1887 as part of the ongoing Smithsonian documentation project. The name Red Plume likely refers to a war honor or personal medicine object of significance to the individual. The systematic nature of the Smithsonian portrait project means that Shindler often painted multiple sitters in the same session, producing a set of related works that read as a collective portrait of Lakota political leadership during one of the most critical periods of their history.

Technical Analysis

Consistent with his other Smithsonian commissions, Shindler places Red Plume in near-frontal pose against a neutral background, with careful rendering of the face and detailed attention to regalia. The technique is competent academic portrait painting serving a documentary function rather than pursuing stylistic distinction.

See It In Person

Smithsonian American Art Museum

Washington, D.C., United States

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
Romanticism
Genre
Portrait
Location
Smithsonian American Art Museum, Washington, D.C.
View on museum website →

More by Antonio Zeno Shindler

Che-tan-ce-ta (Yellow Hawk) by Antonio Zeno Shindler

Che-tan-ce-ta (Yellow Hawk)

Antonio Zeno Shindler·1887

Ta-do-udo-sa (Prairie Chicken) by Antonio Zeno Shindler

Ta-do-udo-sa (Prairie Chicken)

Antonio Zeno Shindler·1887

Chetan-woa-kutoa-mang (The Hawk Who Hunts Walking) by Antonio Zeno Shindler

Chetan-woa-kutoa-mang (The Hawk Who Hunts Walking)

Antonio Zeno Shindler·1887

Chunka-ah-luta (Red Dog) by Antonio Zeno Shindler

Chunka-ah-luta (Red Dog)

Antonio Zeno Shindler·1887

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The Fountain at Grottaferrata

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Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836